Multiple Audio Tracks: Dubbed Audio for Every Market

Vodlix multiple audio tracks exist because subtitles are not the same answer as a dub. Reading and watching are different activities, and children, multitaskers and many older viewers will not do both at once. In some markets, subtitled content is seen as unfinished rather than localised. Multiple audio tracks let a single title carry its original soundtrack plus dubbed versions, so viewers can watch in the language of the house. For OTT operators, audio localisation is what makes a title genuinely available in a market.

Audio tracks in Vodlix travel with the title across every device. The original language and each dub are stored on the title record, so the right audio options are available wherever a viewer opens the content, whether on a phone, a browser or a television. Adding a new dub later makes it available everywhere at once. Title level audio management keeps localisation consistent as your catalogue and device coverage grow.

A catalogue that is only subtitled in a language is not really available in that market. The dubbed version is often the one that actually gets watched, and the difference shows in completion rates and retention. Vodlix lets you attach dubbed audio tracks to titles so that a film or series performs in each market rather than merely existing there. Operators expanding internationally can measure the difference between available and watched, and dubs usually decide it.

Vodlix viewers choose their audio track from the player while the title is playing, switching between the original and any dub without restarting. There are no separate versions of a title to manage in the catalogue or for viewers to find; one title carries all its soundtracks. The audio selector works consistently across web, mobile and TV apps. In player switching keeps localisation simple for your team and seamless for the viewer.